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Which poem corresponds to which painting?  Can you identify them?

Paintings :

https://fr.wikipedia.org/wiki/Fichier:Millet,_Jean-Fran%C3%A7ois_-_Man_with_a_Hoe_-_Google_Art_Project.jpg

https://www.moma.org/audio/playlist/40/643

https://practicalpages.files.wordpress.com/2010/02/starry-night-van-gogh.jpg

 

 

Poems :

1.

So garish: the arc of his interior
thinking. So red,

so deceptive. The coordinates of this project fall
between sheets and box spring:

the command of horizontal passage.
The bed soaked

with the overlapping tongue
of his brushes, with pattern interruption, the departure

from edges. Let’s say he is within
his composition. Inside

his story. As he tips
the paint, the objective can be taken

altogether away until he detects
only desire: a rough strike

of purple
censured from exuberance. The room remains

with the weeping wreckage
all around, and the panels

in the corner
beaded with aggressive desperate skins.

Below the window, the dirty
city, its permanent

tensed distances, its hungry
catastrophes, its bare

windows. His pillow is creased. It tells everything
we need to know. Each drip, directionless.
 

Copyright © 2016 by Lauren Camp.

 

2.

Edwin Markham, 1852 - 1940

Bowed by the weight of centuries he leans 
Upon his hoe and gazes on the ground, 
The emptiness of ages in his face, 
And on his back the burden of the world. 
Who made him dead to rapture and despair, 
A thing that grieves not and that never hopes. 
Stolid and stunned, a brother to the ox? 
Who loosened and let down this brutal jaw? 
Whose was the hand that slanted back this brow? 
Whose breath blew out the light within this brain? 
Is this the Thing the Lord God made and gave 
To have dominion over sea and land; 
To trace the stars and search the heavens for power; 
To feel the passion of Eternity? 
Is this the Dream He dreamed who shaped the suns 
And marked their ways upon the ancient deep? 
Down all the stretch of Hell to its last gulf 
There is no shape more terrible than this — 
More tongued with censure of the world’s blind greed — 
More filled with signs and portents for the soul — 
More fraught with menace to the universe. 
What gulfs between him and the seraphim! 
Slave of the wheel of labor, what to him 
Are Plato and the swing of Pleiades? 
What the long reaches of the peaks of song, 
The rift of dawn, the reddening of the rose? 
Through this dread shape the suffering ages look; 
Time’s tragedy is in the aching stoop; 
Through this dread shape humanity betrayed, 
Plundered, profaned, and disinherited, 
Cries protest to the Powers that made the world. 
A protest that is also a prophecy. 
O masters, lords and rulers in all lands, 
Is this the handiwork you give to God, 
This monstrous thing distorted and soul-quenched? 
How will you ever straighten up this shape; 
Touch it again with immortality; 
Give back the upward looking and the light; 
Rebuild in it the music and the dream, 
Make right the immemorial infamies, 
Perfidious wrongs, immedicable woes? 
O masters, lords and rulers in all lands 
How will the Future reckon with this Man? 
How answer his brute question in that hour 
When whirlwinds of rebellion shake all shores? 
How will it be with kingdoms and with kings — 
With those who shaped him to the thing he is — 
When this dumb Terror shall rise to judge the world. 
After the silence of the centuries?

3.

Perhaps
he too
once stood
just here
head tilted
eyes licking
the orangey
crescent moon
exploding stars
flaming cypress
swirling silver sky

his imagination
suspended
in the silent city
beneath quaking
black mountains
secret recesses
of a tender
growing night

Van Gogh
whispering
to his soul
with furious
brushstrokes
as I cannot
with this
trickle
of words
he will
never
read

Honor Moorman

 

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